Sodadosa

There's no specific reason; sometimes I just respond to friends' invitations to perform. If the conditions are right, I'll do it. Time and energy aren't what they used to be, so I have to be more selective and limit my performance schedule.

Yes, I've been listening to several online releases from various record labels with different rosters, such as No Rent, Ascetic House, and Hospital Productions, among others.

I really appreciate the concept of an independent economy and the DIY ethos, especially within the noise and music scene. The rise of new noise builders is great because they cater to the sound needs of players and provide access to noise devices, sound sources, and effectors that were previously hard to come by. In the past we had to either import them or build them ourselves. These new builders are definitely a valuable part of the scene, as they directly support both the players and the community.

From what I've observed, the emergence of new noise players shows great development in the scene. I think social media, particularly Instagram, has played a role in this. My hope for the future is that the sounds created will become more diverse and not just repeat the same style or references.

Probably, yes. I don't have a specific plan in place. It tends to flow spontaneously and organically. While I do have a personal desire to release something new, I'm not sure when I'll find the time to explore it like I did before.

Sulfur was formed in 2013 as a blend of two different sound styles. My wife, Dyah Isaka (aka Woro), focuses on ambient and drone noise, and I contribute the harsh noise element. The result is quite organic, without aiming for any specific sound description. We've put out several limited releases over the years.

We don't have any future plans at the moment because everything with Sulfur is organic. Right now Woro is focusing on her project with Nadya Hatta, called Metatesis. It's a female, gloomy noise/experimental/improv duo with a similar spirit to Sulfur, but the sound is different — still dark, though.

Andreas Siagian (aka Ucok, from Square Solid) is a friend with whom I discuss many things. As an artist and instrument builder, his insight and experience in the synth and electronic music world are extensive. I didn't provide specific input for the Chaosbyte, but we often talk about and share the process of making it.

There are many local noise builders, and Square Solid is one I highly recommend. The build quality and sound character are top-notch, and his contribution to the local noise and electronic scene in Jogja is really commendable.

I listen to and enjoy many genres, like electronic, post-punk, shoegaze, metal, and pop. I think anything I consume — whether it's music, movies, books, or writing — unconsciously influences my work.

Make noise, not drama.