S.U.E.Z Announces DCLXVI:

Credits:

Songs recorded by Achellsuez

SNLFTP (HMD Reworked) by Greg Tandiono

Mix & Mastered by Uya Cipriano

Artworks by Junieawanbagaskara

Blank Panels by Viva_Devices

Digital Release by Noinputrecords

S.U.E.Z Announces DCLXVI: A Manifesto of Technoise Through Eurorack Modular SynthesisJakarta-based experimental artist S.U.E.Z returns with DCLXVI, a six-track album that pushes the boundaries between harsh noise and hard techno into a self-defined sonic language: Technoise.Built entirely from years of exploration with Eurorack modular synthesizers, DCLXVI is not an attempt to make noise more accessible nor techno more extreme. Instead, it exists in the collision between both worlds, where rhythmic force is continuously consumed by feedback, distortion, analog instability, and controlled chaos.

Each composition represents a chapter in the construction and destruction of an imagined reality. Opening track "Shifr" acts as a cipher, a coded transmission introducing a new world through layered samples and analog drone textures. "Khalaq" follows as the act of creation itself, erupting with blazing walls of noise, crackling Benjolin circuits, and rumbling kicks that reject conventional rhythm in favor of pure sonic formation.

The album reaches its most direct statement with "No Future", where heavily destroyed vocals processed through noise circuits and granular synthesis become a metaphor for the emptiness surrounding today's noise scene. Hard techno structures emerge only to be consumed by dense layers of harsh noise.

"Epitithemai" transforms destruction into purpose. Breakcore fragments, deconstructed techno rhythms, and synchronized Benjolin sequences create an unpredictable landscape where arcade-like randomness collides with mechanical aggression.

The closing statement comes in two forms. "SNLFTP" slows the tempo while intensifying its message, delivering a blunt declaration: Still No Love For The Police. Its companion piece, "SNLFTP (HMD Reworked)", completely reinvents the composition into something unexpectedly playful—echoing early-2000s arcade game soundtracks through warped strings, trip-hop-inspired guitar lines, and persistent noise textures without diluting its uncompromising political stance.

With DCLXVI, S.U.E.Z documents a personal journey through Eurorack modular synthesis while rejecting genre boundaries. The album embraces unpredictability, feedback, broken rhythms, and overwhelming textures, positioning Technoise not as a fusion genre but as an independent artistic language born from experimentation and resistance.

DCLXVI is available in cassette, compact disc mp3, and digital formats, accompanied by a limited merchandise collection including T-shirts, posters, and custom Eurorack blank panels, extending the album's visual and physical identity beyond the music itself.

This is not simply an album.

It is a transmission.

Welcome to Technoise.